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Back in 2008, Masaya Matsuura, director of NanaOn-Sha (Parappa the Rapper) wrote an article for Gamasutra deploring the cultural heritage games left for future generations to find . Violence, he said, was the focus of our creative content, and for future anthropologists might consider our recreation and barbarians back. These days, however, he believes that is changing. Not in the games themselves, but in its commercial potential. For example, NanaOn-Sha ...